Independent report

Export of Objects of Cultural Interest 2010-11

57th annual report of the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest. This report includes: …

• From: Department for Culture, Media and Sport and Department for Digital, Culture, Media & Sport
• Published: 13 December 2011

Documents

Export of Objects of Cultural Interest 2010-11

Ref: ISBN 9780108511004

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57th annual report of the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest.

This report includes:

1. The seventh annual report to Parliament on the operation of the export controls on objects of cultural interest by the Secretary of State for Culture, Media and Sport. This is required by section 10(1) (a) of the Export Control Act 2002 (the 2002 Act). The report covers the period 1 May 2010 to 30 April 2011.

2. The 57th Report of the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest (RCEWA) 2010-11. The report covers the period 1 May 2010 to 30 April 2011.

* [Export of Objects of Cultural Interest 2010-11](http://www.culture.gov.uk/images/publications/2010-11_Annual_Report_Export_of_Objects_of_Cultural_Interest.pdf) (PDF 3mb) 
* [Export of Objects of Cultural Interest 2010-11 ](http://www.culture.gov.uk/images/publications/2010-11_Annual_Report_Export_of_Objects_of_Cultural_Interest.rtf)(RTF 698kb)   

The RCEWA is an independent advisory body, was first appointed in 1952 (following the recommendations of the “Waverley” Committee). It’s terms of reference are:

1. to advise on the principles which should govern the control of export of works of art and antiques under the Import, Export and Customs Powers (Defense ) Act 1939;
2. to consider all the cases where refusal of an export licence for a work of art or antique is suggested on grounds of national importance; and,
3. to advise in cases where a Special Exchequer Grant is needed towards the purchase of an object that would otherwise be exported. 

The “Waverley” criteria are:

 History   Aeshetics  Scholarship

 Is it so closely connected with our history and national life that its departure would be a misfortune?  Is it of outstanding aesthetic importance?  Is it of outstanding significance for the study of some particular branch of art, learning or history?

 Waverley 1  Waverley 2  Waverley 3

Published 13 December 2011